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I only hope they may have half
my good luck. They must all go to Brighton. That is the place to get
husbands. What a pity it is, mamma, we did not all go.”
“Very true; and if I had my will, we should. But my dear Lydia, I don't
at all like your going such a way off. Must it be so?”
“Oh, lord! yes;--there is nothing in that. I shall like it of all
things. You and papa, and my sisters, must come down and see us. We
shall be at Newcastle all the winter, and I dare say there will be some
balls, a
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ordinance of Solon, with regard to the rhapsodies at the
Panathenaea: but for what length of time previously manuscripts had
existed, we are unable to say.
"Those who maintain the Homeric poems to have been written from the
beginning, rest their case, not upon positive proofs, nor yet upon the
existing habits of society with regard to poetry--for they admit generally
that the Iliad and Odyssey were not read, but recited and heard,--but upon
the supposed necessity that there must have been manuscripts to ensure the
preservation of the poems--the unassisted memory of reciters being neither
sufficient nor trustworthy. But here we only escape a smaller difficulty
by running into a greater; for the existence of trained bards, gifted with
extraordinary memory, (25) is far less astonishing than that of long
manuscripts, in an age essentially non-reading and non-writing, and when
even suitable instruments and materials for the process are not obvious.
Moreover, there is a strong positive reason for believing that the bard
was under no necessity of refreshing his memory by consulting a
manuscript; for if such had been the fact, blindness would have been a
disqualification for the profession, which we know that it was not, as
well from the example of Demodokus, in the Odyssey, as from that of the
blind bard of Chios, in the Hymn to the Delian Apollo, whom Thucydides, as
well as the general tenor of Grecian legend, identifies with Homer
himself. The author of that hymn, be he who he may, could never have
described a blind man as attaining the utmost perfection in his art, if he
had been conscious that the memory of the bard was only maintained by
constant reference to the manuscript in his chest."
The loss of the digamma, that _crux_ of critics, that quicksand upon which
even the acumen of Bentley was shipwrecked, seems to prove beyond a doubt,
that the pronunciation of the Greek language had undergone a considerable
change. Now it is certainly difficult to suppose that the