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rises o'er the plain. Thus godlike Hector and his troops contend To force the ramparts, and the gates to rend: Nor Troy could conquer, nor the Greeks would yield, Till great Sarpedon tower'd amid the field; For mighty Jove inspired with martial flame His matchless son, and urged him on to fame. In arms he shines, conspicuous from afar, And bears aloft his ample shield in air; Within whose orb the thick bull-hides were roll'd, Ponderous with brass, and bound with ductile gol

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frequentation of religious festivals, the Oriental and Egyptian veins of religion, &c., familiar to the latter epoch. These alterations Onomakritus, and the other literary friends of Peisistratus, could hardly have failed to notice, even without design, had they then, for the first time, undertaken the task of piecing together many self existent epics into one large aggregate. Everything in the two great Homeric poems, both in substance and in language, belongs to an age two or three centuries earlier than Peisistratus. Indeed, even the interpolations (or those passages which, on the best grounds, are pronounced to be such) betray no trace of the sixth century before Christ, and may well have been heard by Archilochus and Kallinus--in some cases even by Arktinus and Hesiod--as genuine Homeric matter(29) As far as the evidences on the case, as well internal as external, enable us to judge, we seem warranted in believing that the Iliad and Odyssey were recited substantially as they now stand (always allowing for paitial divergences of text and interpolations) in 776 B.C., our first trustworthy mark of Grecian time; and this ancient date, let it be added, as it is the best-authenticated fact, so it is also the most important attribute of the Homeric poems, considered in reference to Grecian history; for they thus afford us an insight into the anti-historical character of the Greeks, enabling us to trace the subsequent forward march of the nation, and to seize instructive contrasts between their former and their later condition."(30) On the whole, I am inclined to believe, that the labours of Peisistratus were wholly of an editorial character, although, I must confess, that I can lay down nothing respecting the extent of his labours. At the same time, so far from believing that the composition or primary arrangement of these poems, in their present form, was the work of Peisistratus, I am rather persuaded that the fine taste and elegant mind of that Athenian(31) would