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sat there
ten minutes together without opening his lips; and when he did speak,
it seemed the effect of necessity rather than of choice--a sacrifice
to propriety, not a pleasure to himself. He seldom appeared really
animated. Mrs. Collins knew not what to make of him. Colonel
Fitzwilliam's occasionally laughing at his stupidity, proved that he was
generally different, which her own knowledge of him could not have told
her; and as she would liked to have believed this change the effect
of love,
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vexation, at not having been able to unravel an enigma proposed
by some fishermen's children.(15)
Such is, in brief, the substance of the earliest life of Homer we possess,
and so broad are the evidences of its historical worthlessness, that it is
scarcely necessary to point them out in detail. Let us now consider some
of the opinions to which a persevering, patient, and learned--but by no
means consistent--series of investigations has led. In doing so, I profess
to bring forward statements, not to vouch for their reasonableness or
probability.
"Homer appeared. The history of this poet and his works is lost in
doubtful obscurity, as is the history of many of the first minds who have
done honour to humanity, because they rose amidst darkness. The majestic
stream of his song, blessing and fertilizing, flows like the Nile, through
many lands and nations; and, like the sources of the Nile, its fountains
will ever remain concealed."
Such are the words in which one of the most judicious German critics has
eloquently described the uncertainty in which the whole of the Homeric
question is involved. With no less truth and feeling he proceeds:--
"It seems here of chief importance to expect no more than the nature of
things makes possible. If the period of tradition in history is the region
of twilight, we should not expect in it perfect light. The creations of
genius always seem like miracles, because they are, for the most part,
created far out of the reach of observation. If we were in possession of
all the historical testimonies, we never could wholly explain the origin
of the Iliad and the Odyssey; for their origin, in all essential points,
must have remained the secret of the poet." (16)
From this criticism, which shows as much insight into the depths of human
nature as into the minute wire-drawings of scholastic investigation, let
us pass on to the main question at issue. Was Homer an individual?(17) or
were the Iliad and Odyssey the result of an ingenious arrange